“An Awfully Freakish-Sounding Story”
You can be sure that if we remove the offense from the Gospel then what we will lose is the Gospel itself. Let us not, in our attempts to bring the Gospel to our culture, present a positive but ultimately powerless message to those whose greatest need is the crucified and risen Savior.
From Russel Moore:
Often at the root of so much Christian “engagement” with pop culture lies an embarrassment about the oddity of the gospel. Even Christians feel that other people won’t resonate with this strange biblical world of talking snakes, parting seas, floating axe-heads, virgin conceptions, and emptied graves. It is easier to meet them “where they’re at,” by putting in a Gospel According to Andy Griffith DVD (for the less hip among us) or by growing a soul-patch and quoting Coldplay at the fair-trade coffeehouse (for the more hip among us).
Knowing Andy Griffith episodes or Coldplay lyrics might be important avenues for talking about kingdom matters, but let’s not kid ourselves. We connect with sinners in the same way Christians always have: by telling an awfully freakish-sounding story about a man who was dead, and isn’t anymore, but whom we’ll all meet face-to-face in judgment.
